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책 내용

Starred Review. Grade 4 Up—For those who loved Tan"s surreal and evocative The Arrival (Scholastic, 2007), the Australian author follows up with a brilliant collection of illustrated vignettes. Fifteen short texts, each accompanied by Tan"s signature black-and-white and full-color artwork, take the mundane world and transform it into a place of magical wonders. In the opening tale, a water buffalo sits in an abandoned suburban lot, offering silent but wise direction to those youngsters who are patient enough to follow his guidance. In 'Eric,' the title character (a tiny, leaflike creature) visits a family as a foreign exchange student and fascinates them with his sense of wonder. His parting gift to the family is sure to warm even the coldest heart. Other stories describe the fate of unread poetry, the presence of silent stick figures who roam the suburbs, or an expedition to the edge of a map. In spirit, these stories are something akin to the wit and wisdom of Shel Silverstein. The surrealist art of Rene Magritte also comes to mind, but perhaps Chris Van Allsburg"s beloved The Mysteries of Harris Burdick (Houghton, 1984) comes closest as a comparable work. While somewhat hard to place due to the unusual nature of the piece, this book is a small treasure, or, rather, a collection of treasures *Starred Review* After teaching the graphic format a thing or two about its own potential for elegance with The Arrival (2007), Tan follows up with this array of 15 extraordinary illustrated tales. But here is an achievement in diametric opposition to his silent masterpiece, as Tan combines spare words and weirdly dazzling images—in styles ranging from painting to doodles to collage—to create a unity that holds complexities of emotion seldom found in even the most mature works. The story of a water buffalo who sits in a vacant lot mysteriously pointing children “in the right direction” is whimsical but also ominous. The centerpiece, “Grandpa’s Story,” recalling a ceremonial marriage journey and the unnameable perils faced therein, captures a tone of aching melancholy and longing, but also, ultimately, a sense of deep, deep happiness. And the eerie “Stick Figures” is both a poignant and rather disturbing narrative that plays out in the washed-out daylight of suburban streets where curious, tortured creatures wait at the ends of pathways and behind bus stops. The thoughtful and engaged reader will take from these stories an experience as deep and profound as with anything he or she has ever read. Grades 7-12 20110923_07_01.jpg 20110923_07_02.jpg 20110923_07_03.jpg 20110923_07_04.jpg 20110923_07_05.jpg 20110923_07_06.jpg

일러스트레이터 소개

인스타 : https://www.instagram.com/shauncytan


1974년 오스트레일리아에서 태어났다. 대학에서 문학을 공부했지만, 어렸을 때부터 혼자 그림 공부를 하여 이미 16살 부터 공포소설, 공상과학소설, 판타지 소설에 삽화를 그렸다. 최근에는 그림책에도 관심을 두어 존 마스던, 게리 크루의 글에 그림을 그리는 한편 스스로 글을 쓴 그림책을 선보이고 있다. 1992년 국제 미래 출판미술가상을 수상한 후 국제적으로 알려지기 시작했고 오스트레일리아 사이언스 픽션 베스트 아티스트상, 크리치턴 일러스트레이션 상, 볼로냐 라가치 어너 상을 수상했다. <빨간나무>는 스스로 글을 쓰고 그림을 그린 작품으로 어린이가 느낄 수 있는 우울함을 섬세한 감수성으로 표현하고 있다. 다른 그림책으로는 <읽어버린 것>이 우리 나라에 소개되었다.